Imeem has a great Android app. In fact, it’s still one of the few very good apps available on that platform as it continues to find its legs. It’s so good that we gave it a Crunchie this year. But as good as it is, it took the application coming to the iPhone platform to push the company past a big milestone: 1 million mobile platform installs.

Imeem Mobile for the iPhone, which we were the first to report on back in May right before it launched, already accounts for 1/3 of Imeem’s mobile users, we’re told. It’s been consistently in the top 5 music apps and near the top 50 overall in the App Store since then. But does that mean that it’s better than the Android version? No, in fact, it’s worse for one reason: It can’t run in the background.

Most TechCrunch writers are iPhone users. And while we’re still debating whether when what time we will be upgrading to the iPhone 3G S next Friday, we are excited for the iPhone OS 3.0 next Wednesday. We’ve had a few requests to publish the apps we use on our iPhones - and we’re going to share that information with you now.

The following list is by no means all of the apps we have on our iPhones. There are plenty of apps we only use a couple times a month (e.g. Shazam), but when we need them, they’re great. We’ve also linked to any TechCrunch/CrunchGear/MobileCrunch reviews of the apps. Let us know which apps you use in the comments below.

Pandora had the top downloaded iPhone app for all of last year, and it continues to be a big success for the company, even helping them make some money. Now there’s another avenue to potentially do that with personalized concert listings within the app thanks to a partnership with SonicLiving.

The feature, which is already live on the web, shows you concerts you might like based on music you have rated, bookmarked or stations you’ve created on Pandora in the past. It shows you these concerts based on your location. But there’s a catch. It’s not actually a part of the Pandora app itself, but rather is an advertisement, sponsored by Amstel Light, you can click on to be taken to the personalized listing of concerts. From there you can buy tickets to shows.

The tech world is an interesting one when it comes to companies making money. Some at the top like Microsoft, Apple and Google are raking in billions in profits every year. And each of those do it with different models: Microsoft through software, Apple through hardware and Google through advertising. But at the other end of the spectrum, most startups, even the very popular ones, haven’t yet figured out how to make money beyond their costs.

While the advertising-based model is working for a select few, for most, it’s simply not proving to be a very good stand-alone model. Pandora is one of the companies that web-based advertising is actually working pretty well for. But even they’re not expecting to turn a profit until next year — and that’s based on projections. I bring them up because they recently decided to move forward with a freemium model in a serious way for the first time last week. As a large service with a rabid fan-base, this seems like a brilliant move. And I wonder if the time isn’t right for more services to try this?

You’d be hard pressed to find someone who tries the online streaming radio service Pandora that doesn’t like it. In fact, some users like it so much that they actually ask for ways to pay the company, to make sure it stays alive (something that has been a question mark given the oppressive Internet radio licensing costs). And while there has been a limited subscription version for some time, Pandora has never proactively promoted it. But starting tomorrow it’s taking the freemium model seriously, with the launch of Pandora One.

The most obvious feature of Pandora One is the removal of ads from the site (this was the only feature of the previous subscription version) — that means not only the ads on the page but the in-stream audio ads as well. And there are five other keys to Pandora One that you get with your $36-a-year subscription price: The biggest one is access to a very solid Pandora desktop app. The others include high quality streaming, a personalized look, a mini player and extended player timeouts.

Easily my favorite app on the Android platform is Imeem. It’s simple, fast and powerful, allowing you to listen to a huge range of music for free. And now it’s coming to the iPhone, we’ve learned.

The Imeem app has already been submitted for App Store approval and could be released any day, we’re hearing from a reliable source. In terms of what it will offer, you can probably expect it to be about the same as the Android version. That means access to Imeem’s library of music and perhaps more importantly, access to your own collection of songs from the cloud, if you use Imeem’s MyMusic service to put your music on their servers.

Pandora is a company that mainly makes its money through advertising deals on its streaming Internet radio service. But a growing portion of the business is also affiliate downloads of songs that users hear on Pandora and want to buy on either iTunes or Amazon’s MP3 service. And the biggest mover accelerating growth in that regard are downloads taking place on the iPhone.

Users are buying about a million songs a month now from these affiliate links on Pandora, CTO Tom Conrad tells me. Of those, a solid 20% are coming directly from Pandora’s iPhone app, which includes an easy link to open the iPhone’s iTunes app, and buy a track. That’s really impressive considering that it’s just one phone that a relatively small percentage of their users use.

Letting people know what music you are listening to has long been a staple of the web. The blogging platform LiveJournal has long had the “listening to” field, instant messaging clients like iChat and Google Talk added the ability to update your status based on the song you were listening to a few years ago, and now people are using Twitter to send our their music selections. Blip.fm is the best for this so far, but a new challenger rises in Dora.

Dora is actually an API mashup of three popular web services: the music streaming service Pandora, the micro-messaging service Twitter and the URL-shortening service Bit.ly. When you load Dora, you may think it’s just Pandora, but at the bottom of the page is the Dora overlay which provides you with an easy way to tweet out what you’re listening to. Before you do this, you must authenticate yourself on Twitter, but that gives you the ability to send a tweet out with the title of the song you are listening to (and a message in the remaining characters) with one click. There is also an option to append a link to the song shortened using Bit.ly.

One of the reasons that Internet music streaming services Pandora, imeem and Last.fm have been able to build large audiences is because they are run by people who have a passion for music. Or should I say, a passion for music beyond pop music. With Goom Radio, I’m not so sure.

Not only is Goom clearly trying to play the popular music card with a website littered with the likes of Coldplay, Kanye West, Beyonce and Britney Spears, but it promises to have “passionate programmers” and DJs. I don’t know about you, but I had two core reasons that I stopped listening to tradtional radtio long ago: Crap music, and DJs. Goom, apparently, sees those as strong suits.

Free entertainment hub Boxee keeps on getting better and better. A couple of hours ago, the venture-backed startup released a full API that allows developers to build applications for the open-source platform using a set of API calls in Python and writing the GUI using XML. At the same time, the company is laying the groundwork for a richer App Box, which it refers to as an open application store where they are not the gatekeeper (like Apple for its iPhone App Store) but rather a facilitator.

Heck, they’re even prepared to act as middleman for connecting freelance web developers with companies looking to leverage their API. Hard not to love that type of company.

Boxee is today also introducing a new test version of the Boxee alpha version for Mac and Apple TV (get it here for Intel Mac OS X 10.4+), adding two applications that were built using the brand new API. The new Boxee alpha comes with a lot of music goodness as it includes both Pandora, the popular music streaming service, and RadioTime, which enables their users to access over 100,000 traditional radio stations from across the globe.

SeeqPod, the popular “playable media” search service that many music sites use as the foundation for their core offering, has filed a petition for Chapter 11 yesterday with the U.S. Bankruptcy Court of the Northern District of California.

The company, which has raised $7 million in venture capital to date from undisclosed investors, is evidently doing this out of fear about the outcome of the multibillion dollar lawsuits it was slapped with by music labels like Warner Music, Capitol Records and EMI.

We reported earlier that SeeqPod has become quite the target of the music industry, which went so far as going after developers who merely leveraged the SeeqPod API. They silenced Songbeat and forced Streamzy to put itself up for sale on eBay as a result.

Music recommendation engine / social network Last.fm has launched an official, feature-rich application for the Android platform that enables users to stream radio stations (including personalized streaming radio), consult up-to-date concert information and also offers the ability to track users’ listening habits based on their Last.fm profile.

The company says the application should be available here, but I’m not seeing anything there yet so maybe we should just be patient until they get around to effectively have the app up for download on Android Market. (It’s also nowhere to be found when you actually search from the G1).

Update: it’s available from the phone now.

The application enables users to access their Last.fm profile and millions of streaming tracks on Android-powered phones, and supports ‘background playback’ so you can listen to music while you access other programs.

Pandora Radio, the cool personalized radio station that recommends songs based on its Music Genome Project, has started serving audio ads. The high royalty costs associated with streaming licensed songs seem to have finally caught up to the service, which until now has primarily used image-based advertising. The ads seems to be fairly sparse, but have received enough attention that the company’s official Twitter feed just annouced “So you know, we did not take on audio ads lightly. We try to be extremely respectful of your listening experience, & promise to be prudent.”

MOG demo’d the next version of their popular music service to me today, and I was impressed. It combines a best of breed interface with free on demand streaming and a Pandora-like music recommendation engine. The trouble is, it may never launch because only two of the four major music labels are supporting it so far.

MOG has a history of doing cool new things around music. The service today includes a media player plugin that records and analyzes your music habits, a website that has a dedicated page for every artist, album and song with user generated reviews and posts, and an advertising network that provides revenue for 300 top music blogs. Users can also stream music via an excellent front end to Rhapsody.

All of that brings about 5 million unique visitors a month to their network, and the company says they should bring in about $5 million in revenue in 2009.

Pandora Radio, the personalized internet radio service that has remained among the most popular iPhone apps on the iTunes App Store since its inception in July (and that I’ve previously called the iPhone’s killer app), will be releasing its most significant update yet later today.

Dubbed Pandora 2.0, the application will now include artist biographies, streaming samples for songs you’ve bookmarked, and perhaps most notably, the ability to create a station using a single song (much as you would using the iTunes Genius features). Other features in the new release include a CoverFlow-like view for song history, the ability to share stations with friends using Email, and a song progress bar (which has long been annoyingly absent).

At the beginning of each year I traditionally publish a list of my favorite startups and products. This is the fourth year I’ve done this - previous lists: 2006, 2007, 2008. You guys get to pick the winners of the Crunchies - this list is all mine.

This is a list of the products I tend to use daily. Some are for work (Wordpress, Delicious, Zoho, etc.), some are for fun (MySpace Music, Hulu, etc), and some are useful for both (Digg, Skype, YouTube, etc.). But I use most of them every day, or nearly every day, and I would not be as productive or happy without all of them.

The list changes a bit from year to year, and is also getting longer (see chart). Just three products have been favorites all four years: TechMeme, Skype, Wordpress. TechMeme continues to be the news aggregator I check multiple times per day to keep up on tech news. Skype is the instant messaging and VoIP platform that I use most often, and Wordpress software powers all of our blogs.

I’ve added nine new products, including one gadget (which I’ve left off in the past): Animoto, Friendfeed, Hulu, iPhone 3G, MySpace Music, Pandora (which was on in previous years) Docstoc/Scribd and Yammer.

Last night we released the finalist names for the Crunchies Awards. Vote here for who you think should win. We’ve set up a site that is pretty self-explanatory, with all of the names of each finalist for every category, along with links to their Websites and Crunchbase profiles where you can learn more about each one before voting. The Crunchies represents the best the Web had to offer in 2008, and you get to help choose who will win. Below is a voter’s guide for two of the major categories to get you started.

Best Overall is the big prize. Amazon Web Services makes it as a finalist this year because of the sheer number of startups that are built on top of its cloud computing infrastructure. Facebook won last year, but makes a return as a nominee due to popular demand. Facebook continued to gain massive mainstream adoption in 2008 (with 140 million members now) and launched some major initiatives to extend its social computing platform beyond its site, most notably Facebook Connect (which by itself is a finalist for Best Technology Innovation, going up against Google Friend Connect). But does Facebook deserve to win again?

Just in via Twitter: Pandora has registered its 20 millionth user. The three-year old music streaming service is trying to hold its own despite tough economics and recent layoffs.

Its music-recommendation engine pumps out personalized radio stations over the Web, and its iPhone app remains one the top free apps on iTunes (currently No. 21).

Today, CBS Interactive is laying off people across several of its properties, I’ve confirmed with the company. CBS is not saying which divisions or how many people are affected. It is positioning the layoffs as part of the integration process it began six months ago when it bought CNET for $1.8 billion. But it is not just the CNET businesses that are being cut.

I’ve also confirmed that earlier today employees at social music site Last.FM were let go. CBS bought Last.fm in 2007 for $280 million. One source puts the number of layoffs at as many as 40 people, mostly from LAst.FM’s London HQ, which has a total staff of 95. A spokesperson for CBS Interactive says that number is inaccurate on the high side, but won’t provide the correct number. In any case, it is likely a small fraction of the overall number of employees being laid off across CBS Interactive. Update: CBS says the number of Last.fm layoffs is less than 20, which would put it at about 20 percent.

Indie music download subscription service eMusic is getting an overhaul. Individual artist an dalbum pages already have more of an AJaxy feel and incorporate YouTube videos and Flickr photos. On Friday, its homepage switched over to a new design centered around a new recommendation engine powered by MediaUnbound. Now, when you sign in as a member, you are presented with a grid of “Music You’ll Love” made up of personalized recommendations. You can also sort by “New Arrivals,” which tries to give you new music that you will like, as well as standard “Best Sellers” and “New and Noteworthy” albums selected by eMusic’s editorial staff.

Helping members find new music they will love is the key to eMusic’s business, and it needs to do a better job. eMusic has 400,000 paying subscribers who have downloaded 250 million songs since 2003. Members can download anywhere from 30 to 75 tracks a month before they have to start paying on a per track basis. Once people stop finding new music they want, they are more likely to cancel their subscriptions. Better recommendations would reduce that churn.