Now, to be clear, as we previewed last month, the upcoming version of Tweetie, 2.1, will also support Twitter’s new geolocation feature. But the new version of Birdfeed, 1.2, does it in a way that highlights it much more. And in fact, when Twitter geolocation support finally does roll out (it’s due very soon, we hear), Birdfeed has a good shot to be the go-to app for it at launch.

So what’s so good about it? Well, unlike Tweetie 2.1, which forces you to click into a menu system to get at the geolocation feature, Birdfeed puts it front and center at the top of every tweet composition screen. If you opt-in to using the feature (and it’s important to note that Twitter geolocation is opt-in), you can choose to either tweet with your location sent out each time, or use it on a tweet-by-tweet basis. If you choose the latter, you’ll see a bar along the top that reads, “Add a location to this tweet”. Clicking on that with start a “Determining location” function, and in a few seconds, you’ll have your location pinned to the top of that tweet under which you’ll write the actual tweet. Simple.

Currently, there isn’t any granular support to pick and choose how much or little detail of your location to show (what city you’re in versus what block you’re on, for example), but I suspect that may be something coming from Twitter’s end once geolocation launches.

On tweets sent out with this geolocation data, you’ll see a hyperlinked location beneath the timestamp on the tweet’s landing page. Oddly, there is no obvious way to tell which tweets are geotagged and which are not from the main stream, currently. If you click on this location on the tweet screen, you’ll be taken to that location on a map and show a marker with that Twitter user’s name and their tweet on top of a Google Map.

Birdfeed 1.2 was submitted to the App Store for approval 2 days ago, developer Buzz Andersen tells us. He remains committed to improving the application going forward, but notes that it has been slow going because he has other projects he’s currently working on as well. Still, Birdfeed is just as solid as it was several months ago and now with great geolocation implementation, could well see a spike in usage from the LBS lovers. Watch for it in the App Store sometime in the next couple of weeks.

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Now they’re ready to launch their first game, City Of Eternals. The timing is perfect – the vampire themed game will attract the Twilight-crazy crowd of teenage girls and the boys that follow them around.

Move aside, Vampire Wars. City of Eternals is a real game.

This is a game that’s easy to begin playing. You log in via Facebook Connect or Twitter and you’re playing. No account creation. No need to even tell you you’re male or female – it already knows.

And since every player is logging in via Facebook or Twitter, there is also a real human being to look at behind the avatar. You can click on the player icon and see a picture and the first name of the player, and message them if their privacy rules allow it.

That will let users build real friendships, says founder and CEO Susan Wu. And those friendships are one thing that Ohai hopes will keep people playing over the long term. They want their users to engage with the game like World Of Warcraft aficionados do – every day for years and years.

So far it’s working. 10,000 private beta testers have been playing for two months now, and are averaging ten logins and 65 minutes of playing per day. “People are in love with the game,” said Wu.

Game play is a hybrid between familiar client-based MMOGs and more recent social games on facebook like Vampire Wars and FarmVille. Players perform missions and fight to gain experience and other assets, and they can buy virtual goods to make the game more fun. This is a strictly cash economy, says Wu. No ScamVille offers will be put in front of users.

Another feature of the game is that it’s embeddable anywhere since it’s built on Flash. You can play it on the City of Eternals website, or the soon to launch Facebook app page, or we could embed it here on TechCrunch. When you play you’ll have the same experience. And you’re friends will be right there with you.

They even have an iPhone version that they are testing internally, says VP Engineering Don Neufeld. It won’t be exactly the same experience as the Flash version, but people will be able to play the game and interact with friends.

The game is built on a backend platform that the company will reuse for future titles. They use their own API to move data to the front end user interface, so developers could theoretically build versions of the game for Silverlight, Android, etc.

Up next we’ll have a video and 500 invitation to give away so you can start playing immediately. In the meantime, here are some screenshots:

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PHP was developed further and commercialized by Zend, but Lerdorf has maintained an ongoing involvement with the open source project. Lerdorf has worked at a number of companies since first developing PHP, but has spent a large part of his professional career with Yahoo and he had a strong association with the company. Lerdorf is one of a number of star engineers and developers who have left Yahoo in recent times, and the stable of notable and high-profile engineers at the company has whittled out.

Lerdorf has been more recently noted for his blog posts, such as his outline on his philosophy to developing PHP applications: The no-framework PHP framework.

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As we’ve been putting together our Realtime CrunchUp for November 20, one thing is becoming abundantly clear: there are dozens of startups out there all preparing to launch amazing new realtime products. We’d like to give them all a spot on stage to give the audience a demo, but we can’t because we also have to make room for a full agenda interviews, panels, and roundtables. We’ve lined up great speakers from Twitter, Facebook, Google, Microsoft, Salesforce, Foursquare, Seesmic, Brizzly, Threadsy, Accel, Charles River Ventures, and more. We’ve even got the Hollywood agent behind Britney Spears’ digital strategy (see below).

So here’s what we are going to do. At the event, we will pick two entrepreneurs from the audience to give on-the-spot demos. If you think you’ve got what it takes to deliver a Realtime Pitch at the CrunchUp, when you buy your ticket opt in to the Realtime Pitch. Be prepared because you might be called onstage. That’s real audience participation.

We wouldn’t try this sort of thing with just any crowd, but judging from the caliber of the attendees last time, any one of them could have been on stage. Well, nearly any one of them (which is why we’ve set up the opt-in). If you’ve already bought a ticket and want to opt in, log into Eventbrite and change your preferences or email us and we’ll do it for you.

It’s always a good idea to keep everyone on their toes at these events. There will be plenty to discuss as we dig deep into specific real-time catalysts, such as mobility, geolocation, communications collaboration, stream filtering, media streams, and investment strategies. Please join us and members of our Realtime Board

Friday, November 20, 2009
Main Agenda: 9 am – 5:45 pm
After Party with StartUp Demo Tables: 5:45 – 7:30 pm

InterContinental Hotel
Grand Ballroom, 3rd floor
888 Howard Street, San Francisco CA

GET CRUNCHUP TICKETS NOW, courtesy of Eventbrite
$395 all-inclusive pass through midnight pst, Monday, November 16
$495 through November 20, subject to availability

SPONSORSHIPS
The CrunchUp also provides an amazing sponsorship platform for start-ups and brands to reach both conference and networking attendees. Please contact Heather Harde or Jeanne Logozzo to learn more about sponsorship packages and custom opportunities.

PRESS
Bloggers and journalists can request a press pass by contacting Daniel Brusilovsky.

CRUNCHUP AGENDA

9:00 – 9:30 AM From RSS To Realtime: A Conversation With Twitter COO Dick Costolo

9:30 – 11:00 AM Roundtable: Filtering The Stream. Getting Rid of the Noise.

Facebook, VP of Product Chris Cox
Google, Google Fellow, Amit Singhal
Seesmic, CEO Loic Le Meur
Futurity Ventures, investor/entrepreneur Edo Segal
CrowdEye, CEO Ken Moss
Microsoft, GM of FUSE Labs, Lili Cheng
Facebook, director of Platform Bret Taylor
Thing Labs/Brizzly, CEO Jason Shellen
Angel Investor Ron Conway

11:00 – 11:15 AM Break

11:15 – 11:45 AM The Social Enterprise: A Conversation With Salesforce CEO Marc Benioff

11:45 – 12:30 PM Where Is The Stream Going? Tomorrow’s Killer Apps (Demos)

Hot Potato (event streams, launch)
Seesmic (a special surprise)
Rippol (video streams, public launch)
Stealth Startup (RT news streams)
Stealth Startup (RT image search)
Realtime Pitch From The Audience*

12:30 – 2:00 PM Lunch

2:00 – 2:45 PM Where Is The Stream Going? Tomorrow’s Killer Apps (Demos)

PlyMedia (new product launch)
StatusNet (DIY microblogging, launch)
Tweetmeme (new product launch)
Stealth Startup (live video streams)
Stealth Startup (RT social address book)
Realtime Pitch From the Audience*

2:45 – 3:30 PM Media Streams: Are These The Ultimate Marketing Vehicles?
DailyBooth, co-founder Ryan Amos
Ad.ly, CEO Sean Rad
Hollywood agent, Robin Bechtel (digital strategist for Britney Spears, Warner Bros. Records)
more (TBA)

3:30 – 3:45 Break

3:45 – 4:30 Geo Streams: We Know Where You Are, Right Now
Foursquare, CEO Dennis Crowley
Twitter, director of platform Ryan Sarver
Google, Steve Lee, Group Product Manager Google Maps for Mobile and Google Latitude
SimpleGeo, founder Matt Galligan
Hot Potato, founder Justin Shaffer
Mixer Labs, CEO Elad Gil

4:30 – 5:00 Can We Kill Email Already? All Aboard The Micro-Message Bus
A discussion with Paul Buchheit (Facebook/Friendfeed/Gmail) and Rob Goldman, CEO Threadsy

5:00 – 5:45 PM Where The Realtime Rubber Meets The Road: When Does The Serious Money Come In?

Angel investor, Ron Conway
Microsoft, corporate VP for Strategic and Emerging Business Development, Dan’l Lewin
Charles River Ventures, VC George Zachary
Accel Partners, VC Andrew Braccia
Facebook, VP of Platform, Bret Taylor

5:45 – 7:30 PM Realtime After Party

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Don’t you sometimes wish you had a map of every place you’ve ever been? Well, if the concept of such detailed self-tracking doesn’t creep you out, you can now do that with Google Latitude, the mobile app that lets you broadcast your location to your friends.

Google Latitude just turned on Location History as a new feature in Google Latitude. Whenever Google Latitude is on, it records your location, and you can go back to see where you’ve been. To mitigate some of the obvious privacy issues this brings up, only you can see your location history, not your friends. And you can delete any location from your history, like that Dunkin Donuts you tried to stick up last night when you had the munchies.

Another new feature is location alerts. You can now get an alert anytime a friend of yours who allows you to see their location on Google Latitude is nearby. To cut down on constant alerts every time you go to the office or home, it tries to learn where you go every day, and only gives you an alert when you are in a place it deems to be “unusual.” In order for the alerts to work, your location history needs to be enabled, so the two features go hand in hand.

Geo streams such as the ones produced by Google Latitude are becoming increasingly common. In fact, we are devoting an entire panel to Geo Stream sat eour Realtime CrunchUp on November 20. Steve Lee, the group product manager for Google Latitude, will be on that panel.

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Why? Well, it turns out that the term “Auto-Tune” — which due to the recent spike in usage in pop music has come to be misused almost as often as the term “photoshop” — is trademarked by Antares. In a cease and desist letter, Antares claims that “Steamboat’s use of ‘AutoTuner’ is virtually identical to Antares’ AUTO-TUNE(R) mark, simply adding an ‘r’ at the end of the mark and removing a hyphen, and is used in connection with a software program that is directly competitive and functionally identical to Antares’ AUTO-TUNE(R) product.”

Read the rest of this post at MobileCrunch >>

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Capitalizing on the Bing brand, Microsoft is consolidating MSN Video into Bing Videos. If you go to video.msn.com it redirects to Bing Video. The new video search destination lets you both search for videos on the Web and watch them within the Bing player.

The main video page is set up to help you browse and discover videos, with featured videos in a large player across the top and tabbed categories below that including editorial picks, viral clips, “Last Night on TV”, and the “Best of Bing.” A lot of this looks like a direct port from MSN Video. there is still even a tab called “Most Watched On MSN Video.” They might want to change that now.

Bing Video brings in videos from YouTube, Hulu, ABC and more, and directly hosts 900 TV shows. When you search for a show like True Blood, you get Bing’s familiar guided navigation on the left, which lets you narrow down your search by season, episodes, trailers, length, and format.

The Bing video player also has a lights-out mode. You kind of get the feeling that Bing doesn’t want you to leave. Of course, neither does Yahoo Video, Google Video, Blinkx, or most other video search engines these days. But Bing Videos is such a better brand. What MSN property will be subsumed into Bing next?

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Here’s how Google describes Go in its blog post:

Go attempts to combine the development speed of working in a dynamic language like Python with the performance and safety of a compiled language like C or C++. In our experiments with Go to date, typical builds feel instantaneous; even large binaries compile in just a few seconds. And the compiled code runs close to the speed of C. Go is designed to let you move fast.

We’re hoping Go turns out to be a great language for systems programming with support for multi-processing and a fresh and lightweight take on object-oriented design, with some cool features like true closures and reflection.

For more details check out Golang.org.

To get things started the right way, here’s Go’s rendition of Hello World!:

05 package main

07 import fmt “fmt” // Package implementing formatted I/O.

09 func main() {
10 fmt.Printf(”Hello, world; or Καλημέρα κόσμε; or こんにちは 世界n”);
11 }

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So what’s the verdict? Some people love it, some people hate it. It is definitely a significant change to the way people are accustomed to using Twitter, so it will undoubtedly take some time for most users to get used to. Some may call this “Facebook Syndrome” (users always complain when Facebook changes something, even if it’s for the better), I call it “human nature” (people generally dislike change).

If you do happen to have it now, here’s a few interesting notes about the new feature (at least on twitter.com):

• First, there is a new Retweets area in the right side bar. This allows you to see “Retweets by others”, “Retweets by you”, and “Your tweets, retweeted”. While the UI for the main homepage retweets can be a bit confusing at times, this Retweet area is laid out pretty nicely, as it is easy to see who exactly retweeted what.
• Second, as co-founder Evan Williams noted today, there is an easy way to turn off retweets from individual users. Simply click on their profile and make sure the Retweet logo (the circular arrows) below their name is not highlighted green. This means that it’s off and you will not see Retweets from that user in your timeline. That’s great for users who go overboard with the feature and muck up your stream.
• Third, if you do hate the new Retweet way, just don’t use it. Nothing is stopping you from still using the “RT …” syntax. The new Retweets simply give you an easy way to highlight something to your followers with the click of a button.

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Prosper.com, a popular peer-to-peer lending marketplace in the U.S., has received a $1 million infusion from Nigel Morris, co-founder of Capital One, via his venture capital firm QED Investors. This brings the company’s total funding to over $41 million from Accel Partners, DAG Ventures, Fidelity Ventures and Benchmark Capital, among other investors.

Prosper pioneered the idea of concept of people-to-people lending in the U.S with its launch in 2006. Unfortunately, the startup hit a rough patch last year when the SEC stopped all lending on the platform because the company didn’t register as a seller of securities. With the new climate of heightened regulatory oversight in light of the financial meltdown, the SEC is being more judicious about overseeing financial institutions.

The startup was able to re-launch its site over the summer after the SEC gave Prosper the OK to facilitate peer-to-peer lending. Prosper became the first and thus only Internet auction-based P2P loans platform to have its registration statement declared effective by the SEC. Prosper is currently available for lenders in California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Louisiana, Maine, Minnesota, Missouri, Montana, Nevada, New Hampshire, New York, Oregon, Rhode Island, South Carolina, South Dakota, Utah, Virginia, Washington, Wisconsin and Wyoming.

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The debate is an important one, in part because Seedcamp, as the only Pan-european YCombinator-style organisation, now has a position that is largely unmatched at this level. That is at once a great thing for Europe – afterall, there was nothing else like it before, and Europe really needed a pan-European Seed fund which could also educate young startups. It’s also a potential challenge both for Seedcamp to explain how it operates – after all, despite its laudable openness to date, let’s not forget it’s a business – and for those that want to sit outside the burgeoning Seedcamp ecosystem.

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Urbanspoon has been one of the most popular apps for the iPhone since it launched alongside the App Store in the summer of 2008. By blending location data with a fun, accelerometer-based way of finding good nearby restaurants, it even caught Apple’s eye, which soon began featuring it in its television commercials, fueling its success. And that success led to IAC eventually purchasing the self-funded startup in April of this year for a price in the seven-figure range.

But Urbanspoon didn’t stop thinking about what to do next, and the first stop is the BlackBerry. It just made sense since there’s a good overlap between the type of people who use BlackBerrys and the type who use Urbanspoon, co-founder Ethan Lowry tells us. So the company teamed up with Xtreme Labs, a popular BlackBerry app shop, to create the app.

Like its iPhone brethren, the app features the familiar slot machine-style interface to allow you to tailor your restaurant searches. For devices like the Storm, which has an accelerometer, you can use the app by shaking it. For other BlackBerrys, you simply click a button to set the wheels rolling. “It’s one of the snazziest BlackBerry apps there is,” Lowry says.

The reason Urbanspoon outsourced part of the development of the app rather than do it all in-house like they did with the iPhone is because there are too many types of BlackBerrys that need different versions. For example, there are four different versions of the Urbanspoon BlackBerry app alone, we’re told. Despite it being acquired by a large company, Urbanspoon remains a small team, and they simply don’t have the resources to devote to all these different devices.

But the team is already thinking ahead. Lowry said there was some debate as to whether they should go with BlackBerry or Android first as their next target. He’s excited about Android now, as opposed to a year ago when things were still up in the air about the platform, and believes that it will definitely be their next target. Other platforms like Windows Mobile and webOS (which the Palm Pre runs) will have to wait. Though the team is also debating crowd-sourcing the creation of apps for other platforms to its users — an approach with other small teams like Foursquare are taking.

In terms of monetization of the app, it remains for now mostly a user grab. There will be limited monetization through ads and the like (which BlackBerry has a revenue share agreement for), but it will be minimal, Lowry says.

Go here to get the app, it will work on most of the newer BlackBerrys.

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The companies selected are either existing companies launching new products or new startups entirely. As you can probably tell from the list, Le Web is very much going back to its roots. This is Le Web’s 6th edition and the startup competition has been going on since 2006 (the 4th edition is this year). So we’ll be using this platform to help some of the earliest stage companies get traction with their ideas. I think it’s going to be exciting to watch.

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iOKi is looking to become the definitive karaoke experience on the iPhone. Instead of slapping some lyrics on low quality MIDI files (as lesser apps have tried), iOKi has actually worked with all of the major labels to license their content. I spoke with the iOKi founders Les Borsai and Elias Manousos who outlined some of the complicated rights issues involved with karaoke. Suffice to say, it was no easy task, but they think it will also make it hard for competitors to encroach on iOKi’s territory in the future.

Using the app is pretty straightforward: you choose a song, and the app launches into its viewing mode, where the lyrics pop up on your iPhone screen just as they would on more tradional karaoke machines. Depending on your setup, you can have the backing music and vocals come from either your phone’s headphone jack or its built-in speaker (your vocals can go in through either your headphone’s built-in microphone or the phone mic). The interface is easy enough to figure out within a few seconds, though I think it looks a bit bland given the iPhone’s penchant for glossy things. Once you’ve recorded a song, the app will present you with a link that you can use to share your recording across the web.

iOKi is launching its Lady Gaga themed app on November 23 at a $4.99 pricepoint, which will come with five of the artist’s songs including Poker Face and Paparazzi. Each of these songs will be generated from the original master recordings, rather than the sound-alikes that are common in the karaoke business. The app will also include access to an integrated store that includes over 3,000 songs available for 99 cents apiece from bands ranging from the Backstreet Boys to Van Halen (the company says they’ll soon have over 10,000 songs). Many of these are from soundalike recordings, though some of them will be based on master tapes as well. A few weeks after the Lady Gaga launch iOKi will release a more generic version that’s focused on the store.

iOKi is clearly looking to tap into the success of other music-themed hits on the iPhone like Smule’s I Am T-Pain, and Tapulous’s Tap Tap Revenge, and it looks like they may have a winner on their hands. The company was initially inspired to go into karaoke after Manousos noticed that a Jason Mraz karaoke song has been viewed a whopping 2 million times. The team soon discovered that the karaoke indsutry is worth over a billion dollars, but that much of it is fragmented — consumers can purchase standalone machines, but they have to deal with purchasing specialized karaoke CDs, many of which are of poor quality (and sometimes don’t even have the proper license deals in place). The space is ripe for a shakeup.

The one picece of the puzzle that iOKi is currently missing is virality — the app actually stores your recordings on a server and lets you Email a link to your friends (you can also manually share this link on Facebook or Twitter). But for the app to really go viral, it should allow users to post their karaoke recordings directly to Facebook’s News Feeds. iOKi says that they actually have the infrastructure in place to support this kind of sharing, but that they still need to integrate Facebook Connect, which will be coming out in the first update. Fortunately the app may not need much virality at first, as Lady Gaga will be promoting it in the marketing leading up to her album launch.

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Apple has just added a range of HD movies available for purchase on iTunes. Here’s the kicker: There are actually some good movies, finally. Sure, previously you could grab a few gems like Casino Royale. But now, for example, a total of 9 James Bond films are in HD (though sadly, only two of the Connery ones are, and Goldfinger is not one of them).

So what else is available in HD now? Blockbusters like The Rock, Top Gun, The Sixth Sense, and Cloverfield. Award-winning movies like The Curious Case of Benjamin Button, There Will Be Blood, The Queen, and No Country For Old Men. Pixar’s latest masterpiece Up is also available in HD. And you can also pre-order movies like Star Trek, which comes out next week, in HD.

It’s hard to tell exactly how much HD content Apple added today since you basically have to click on each film to see if it’s a) available in HD and b) available to buy in HD. But it’s a lot, and more importantly, as I said, there’s finally a fair amount of content worth purchasing.

Interestingly enough, Apple is touting its new HD movies as “HD Movies on your Mac or PC.” You notice something missing? Apple TV. Yes, Apple’s red-headed step child continues to get no marketing love despite the fact that HD movies not only play on the device, but I would argue that is still the best reason to get HD content from iTunes. Though movies are not Blu-ray HD quality, they’re pretty darn good and noticeably better than standard quality content from iTunes, especially on big HD TVs.

It’s good to see that after months of a slow trickle of mainly junk, Apple has opened the HD pipeline quite a bit more. Now if they could only get iTunes Extras along with HD for most films, the movie area of the store might actually be able to start living up to its music portion older brother. Having all movies available to rent the day they come out on DVD wouldn’t hurt either. But we all know Hollywood hates our freedom in that regard.

Of course, on the flip side, all this HD content to buy also means the more storage you’ll need for these files. HD movies on iTunes tend to range from 3 to 5 GB each. Apple still needs a solution for that eventual problem, like iTunes in the cloud.

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We’ve confirmed with Adobe that the company is cutting 9 percent of its workforce, or 680 employees. Adobe filed an 8-K with the SEC today reporting the layoffs. Earlier today we heard multiple reports that layoffs were taking place at Adobe. There are also Tweets about the layoffs on Twitter. Last December, Adobe laid off 600 workers (or 8 percent of its staff) due to the recession.

A spokesperson for Adobe told us in a statement that “Adobe is restructuring its business to align costs with its fiscal 2010 operating plan and budget, the company’s three-year strategic priorities and the realities of the business environment, as well as to ensure its ability to continue investing in long-term growth opportunities.” In addition, after Adobe acquired Omniture, the company reduced Omniture’s workforce by 9 percent. According to today’s filing, the restructuring will cost Adobe between $65 and $71 million.

We’ve added the layoffs to the TechCrunch Layoff Tracker. This has been sobering week in the technology world, as Electronic Arts and Sprint both announced significant layoffs in the past few days.

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Last week Tesla asked me if I’d like to take the new Tesla Roadster Sport for a day to see what I thought. This is the newer Tesla Roadster that shaves 2/10 of a second off the 0-60 time, and the car is a couple of inches bigger than the original (making it possible for me to fit my 6′4 frame into it comfortably).

I agreed immediately. The only rules were that only I could drive it (some nonsense about insurance), and I had to have it back by 6 pm. I did return the vehicle on time, but as you can see from the video just about everyone from the office and most of my friends came by to take it for a spin, too.

I’ve been in a Tesla before but this is the first time I’ve driven one. With no gears and a silent motor, the experience is like driving a golf cart. At least it would be if golf carts could hit 100 mph on the freeway on-ramp and hug the road like it was glued there.

Thanks Tesla. Sorry about that scratch in the bumper.

Video care of Animoto. Which rocks.

Specifications
Model:	2010 Tesla Roadster Sport
Vehicle Style:	2-seat, open-top, rear-drive sports car
Price:	Base Price: $121,000 (car we drove: $155,850)
Motor:	375 volt AC induction air-cooled electric motor with variable frequency drive
Power:	288 HP (215kW) @ 4,400-5,800 rpm
Torque:	295 ft/lb (400 Nm) @ 0-5,100 rpm
Transmission:	Single speed fixed gear with electrically-actuated parking lock mechanism and mechanical lubrication pump
Suspension:	Four-wheel independent. Upper and lower unequal length wishbones. Co-axial coil spring/adjustable telescopic damper. Adjustable sway bar.
Brakes:	Hydraulically operated. Tandem master cylinder with vacuum servo and anti-lock braking system. Front and rear ventilated disc. Cable operated self adjusting hand brake on rear calipers.
Performance:	0-60: 3.7 seconds Top Speed: 125 mph (electronically limited)
Dimensions:	Wheelbase: 92.6 inches Length: 155.4 inches Width: 72.9 inches Height: 44.35 inches Weight: 2723 pounds
Battery:	Custom microprocessor-controlled lithium-ion battery with 6,831 individual cells
Battery Consumption:	29 kW-hr/100 mi city; 32 kW-hr/100 mi highway
Expected Battery Life:	Seven years or 100,000 miles
Range:	244 miles

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Now that in-app purchasing for free apps has been live for a few weeks in the iTunes App Store, and Apple is now ranking the top-grossing apps, whether they start out as free or paid, we have some initial data on what kinds of apps are pulling in the most money from in-app purchases. (In-app purchases allow apps to offer a free version and then make money by requiring consumers to pay for additional features or content). Today, Distimo put out a report (download it here) which breaks down the top 40 grossing in-app purchasing titles by category (see chart below). Games, social networking, and book apps are doing the best job upselling consumers from free apps to paid enhancements. Music, news, and finance apps, not so much.

Games top the rankings of these best performing apps, with ngmoco’s Eliminate Pro (iTunes link) currently the No. 8 top-grossing app, validating ngmoco’s shift from a paid to freemium model. Mafia Wars (iTunes link) is another example. Seven of the top 40 grossing apps with in-app purchasing are games.

After games, social networking apps such as iRose (iTunes link), TweetPush (iTunes link), and Boxcar (iTunes link) are doing the best job convincing users to pay up after they download the free versions. Social networking apps take six of the top 40. Then comes books, with four of the top 40, including Comics (iTunes link)

It seems that apps which are addictive (like games) persistent (like social communications apps), or lengthy and easy to sample (like books) are doing the best with in-app purchases. It trickles down after that. There is one music app in the top performing apps—RJDJ (iTunes link), one news app, one finance app, and so on. People just don’t want to pay for songs, news, or stock quotes.

The Distimo report also compares the average price for the top 100 mobile apps in the iTunes App Store, the Android Market and the Blackberry App World. The Average price of an app in iTunes is the cheapest at $3.42, followed by Android at $4.30, and Blackberry Apps at $5.61. With more than 10 times as many apps as any of the other app stores, all that competition and proliferation of $0.99 apps probably explains why iTunes apps are the cheapest, even among the top 100. Also, Blackberry apps all have a minimum price of $2.99. Research in Motion just announced that developers will be able to include in-app transactions next year. It doesn’t appear that there is any official way to include in-app transactions in Android apps yet.

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Turns out Ojjeh is actually no longer senior vice president and head of Yahoo!’s strategic data solutions group. The man apparently left the company a few weeks ago but hadn’t yet found the time to change his LinkedIn profile.

Bassel Ojjeh started his career in the software business as developer and later senior manager of Fox Software, which merged with Microsoft in 1992. Ojjeh stayed with the company for another 8 years and went on to co-found digiMine, which later morphed into Revenue Science and changed names again some time after to finally settle for AudienceScience (for now).

Ojjeh was one of the co-founders of data mining and warehousing solutions provider DMX Group, a company that was acquired by Yahoo in August 2004.

He became senior vice president and head of the new business unit (strategic data solutions group or SDS group), whose team members were responsible for combing through the dozens terabytes of data that Yahoo users generate on a daily basis by clicking links, weeding out the relevant bits, compressing and storing it.

Ojjeh told me he’ll be engaging in a couple more angel investments in the USA and the Middle East, and that he’s currently already set to start a new company.

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Vidly is claiming to be the first HD video service for Twitter. HD video on the web has always been sort of a hazy thing due to varying expectations of resolutions and bitrates, but it seems safe to say that Vidly’s video is the highest quality out there among its competitors. Several of them offer video quality that can be grainy or choppy, but these new Vidly videos are smooth and clear.

So why bother? After all, most of these videos are relatively short and storing and serving HD clearly costs more. Vidly is doing it because they see it as a great tool for brands to use to further promote themselves on Twitter. That makes sense, if someone like National Geographic is going to tweet out videos, it probably doesn’t want them to look bad. In fact, Vidly’s biggest competitor here may be that these brands figure out how to store their own HD media and simply tweet that out.

Along with the HD launch, Vidly is hosting a new competition alongside mobile video camera maker Flip. Each Friday for a few weeks, Vidly and Flip will give away a branded MinoHD device. To enter, you simply have to tweet something with the #vidly hashtag.

Vidly underwent a namechange (it was TwitVid.io) in August, and picked up some fresh funding. It already has several brands using its service, now it’s just a matter of convincing them, and others, that it’s the go-to Twitter video service.

It’s also worth noting that any HD which was previously uploaded to Vidly will now also be in HD.

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We’re excited to announce that these contributions no longer have to remain unattributed. Starting today, anyone with a Facebook account can sign up for an account on CrunchBase by using Facebook Connect. Edits will still be moderated (after all, this is the Internet we’re talking about here), but users who prove themselves to be trustworthy will, with time, start to see additional privileges associated with their accounts.

All of these edits represent a treasure trove of information, so we’ve also been working on ways to better present the edits as they occur. Visitors to the CrunchBase homepage will now notice a list of recent milestones – a “stream,” if you will – that represents the most recent changes to the database. We’ve filtered out the more trivial edits in an effort to make this the kind of real-time information that even Paul Carr could love. These funding rounds, acquisitions, investments, IPOs, and other major milestones will now also appear on the individual pages that they relate to.

Lastly, since it’s always better to let individuals choose what news they care about, we’re providing a way for people who sign up for a CrunchBase account to see a summary of these milestones only from the products, people and companies that are interesting to them. Logged-in users now have the ability to follow entries in the database and have relevant updates appear on their home page (sound familiar?).

If you are a developer and want to use CrunchBase data, we’ve got a very open and flexible API. And make sure to let us know when you build an app that uses CrunchBase data, we like to highlight them.

We hope you enjoy the new features, and are always taking suggestions for ways to make CrunchBase better. You can keep up to date with the latest features on the CrunchBase blog. And if you like what we’re doing, by all means, be our friend.

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The main selling point of the browser is still intact: Lunascape users can instantly switch between Firefox, IE or Safari/Chrome mode by right-clicking tabs or by clicking on the engine switcher button on the bottom left of the screen.

The browser should come in handy for web developers and designers who have to test sites for browser compatibility or for those people who aren’t satisfied with either one of the five big browsers (in case there are any). But the Lunascape developers say they aim at establishing a “Unified Browsing Platform” for everyone. Their ultimate goal is to help general web users overcome the hassles they encounter when using IE at work and Firefox at home, for example (different UIs, bookmarks, settings, add-ons etc.).

Screenshot: Triple engine selection

But what’s new in Lunascape 6.0?
Probably the biggest change in comparison to version 5 is that in addition to IE and Lunascape-specific add-ons, Lunascape now supports Firefox add-ons, too. The browser still doesn’t work with Chrome or Safari plug-ins, but Firefox add-on support was the most requested feature coming from users in the past year. And a new wizard makes it possible to transfer all of your add-ons from Firefox 3.5 to Lunascape 6.0 automatically if you’re so inclined.

Screenshot: Firefox add-on in Lunascape 6.0 browser

Users can now operate tabs in any kind of window split view, meaning you can compare any given web page rendered by the three different engines side-by-side in one browser window (vertical, horizontal, thumbnail, cascade). This makes a lot of sense and should actually have been included in the previous version already.

Screenshot: Multi-view tab display

Some smaller revisions include a new extra-minimalist interface available that does away with a lot of the clutter of Lunascape ’s previous version and a revamped “floating” sidebar that can display a number of dedicated add-ons (i.e. a minimap).

I’ve tested Lunascape 6.0 for a few days now, and the browser is still a little buggy but pretty stable for a beta release. Granted, the changes from version 5 aren’t huge, but especially the Firefox add-on support and the new design and interface should make Lunascape 6.0 worth taking for a spin. The race for the ultimate browser continues.

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We’ve written a lot about Yahoo Meme, Yahoo’s new microblogging platform that resembles Twitter. A few weeks Yahoo launched an API for Meme and also shed some light on where the social media site is being used; which seems to be mainly outside the U.S. According to Yahoo, Meme is gaining a following in Brazil, China, the Philippines, India and Turkey. Yahoo initially rolled out Meme in Portuguese, then Spanish and then English. Today, Yahoo is rolling out a native version of Meme in Bahasa Indonesia, the national language of Indonesia. The Republic of Indonesia, which comprises over 17,500 islands, is the fourth most populous country in the world.

With the translation, Meme is actually spelled as “Mim” on the site, but it appears to have much of the same functionality as the other versions of the site. Yahoo meme lets users post their own content (including text, photos, videos, links and more) and repost the content of others with one-click publishing, allows users to follow other Meme users (via one-way connections, no friend authorization is required) and comment on their posts. Meme’s content limits are higher than Twitter’s—the limit is 2,000 characters.

Coincidentally, Twitter also recently made an announcement concerning Indonesia, launching a partnership with Indonesian mobile carrier AXIS to provide Tweets via SMS. While Yahoo Meme may be growing internationally, Twitter is aggressively going after international markets as well. The site most recently launched a version in Spanish and plans to roll out versions in French, German and Italian soon. Hopefully Meme doesn’t suffer the same fate as Yahoo’s social network in India, SpotM, which didn’t even make it to its first birthday.

Thanks for the tip Rama.

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