When news of the Litl Webbook broke out on Wednesday, I was pleased to learn that the company is located here in Boston, since there aren’t nearly as many people in this area making actual hardware devices, as opposed to software and web companies.

I got a chance to sit down with CEO John Chuang for a thorough overview of the Webbook, so check out the video inside for some information about the design philosophy and user interface behind the $699 transforming internet computer.

The One Laptop Per Child project has seen mixed success. With competition from similar, but more familiar-looking items from Intel and others, the OLPC found itself suddenly competing in a market it had no intention of entering. But they’re out there, they’ve had some serious orders, and despite some other speed bumps, has certainly lent a hand in increasing computer literacy in the developing world.

You may remember that the sequel to the XO laptop, as the OLPC hardware was actually called, was spied at Davos in January after its initial debut in May of 2008. It was noted at the time that there was some doubt as to whether it would be made, and now those doubts have come to glorious anti-fruition. The XO-2 is dead — but only because Negroponte decided it should be a tablet.

A couple weeks ago, a friend of mine came to me with a problem. The British distribution company handling his music video was shockingly backwards in its formatting, and was asking for a Real Media encode of the video. They didn’t specify bitrate, resolution, where it would be shown, or anything like that. Quicktime was being a bother, and we needed to use my PC to do a few encodes at this or that specification. We ended up running it through in Vegas, and going to grab a coffee while it churned out the frames.

Now, the point is not that you need a PC to encode heinous old formats, but rather that digital distribution is a weird, complex process that could use a bit of simplification. Sorenson’s Squeeze 6 appears to go to some lengths to make this happen. It’s far from the only encoding platform out there, but I think they’re moving the right direction with this version, which not only integrates tightly with your Mac, but also with SMS, Twitter, and other popular services. After all, there’s no guarantee that you’re going to be working in the same office, or even the same country, as people who need to be informed every step of the way. (link fixed)

There’s an interesting article in the current New York Review of books (predictably, a book review) detailing the history of the National Security Agency, that shadowy power-behind-the-power to which we surrender much of our privacy. That in itself is interesting, but I found the introduction a bit shocking: the NSA is constructing a datacenter in the Utah desert that they project will be storing yottabytes of surveillance data. And what is a yottabyte? I’m glad you asked.

There are a thousand gigabytes in a terabyte, a thousand terabytes in a petabyte, a thousand petabytes in an exabyte, a thousand exabytes in a zettabyte, and a thousand zettabytes in a yottabyte. In other words, a yottabyte is 1,000,000,000,000,000GB. Are you paranoid yet?

The more salient question is, of course, what are they storing that, by some estimates, is going take up thousands of times more space than all the world’s known computers combined? Don’t think they’re going to say; they didn’t grow to their current level of shadowy omniscience by disclosing things like that to the public.

Here are some stories you might have missed this week on CrunchGear.

All about the Motorola Droid
Helmet radar: coming to a supersoldier near you
Spooky Tesla Radio in a jar

Here’s a look at what happened on CrunchGear this week:

The real life Burger King Windows 7 Whopper is a disgusting joke to humanity
Quick Look: 13.3-inch Acer Timeline
Orchestral movements by LCD light

I spoke to Matt Sharp, founder and frontman of The Rentals, a few weeks back as a result of my weird fascination with film photography. (Incidentally, I have Louis CK, who you can now see on Parks and Recreation every week on NBC, to thank for my initial interest in film.) Current fans of the band know that it’s been working on a yearlong project known as Songs About Time. Rather than going through the standard rigamarole of recording an album in a secluded studio, then touring to support it (not to mention dealing with the apparently crazy record labels), Sharp and Co. came up with a different idea: how about, instead of one big album, which is so start-stop, we sprinkle a few EPs throughout the year, and document our days together for our fans in the form of short movies and frequent photographs?

Or, in Matt’s own words:

The project is one year in photography, film, and music that’s all coming, in real time, on our Web site. There’s not a better word for it than a multimedia project, but we have one element of the site that deals with photography, one part that deals with film, and one part that deals with music. At times they intersect and feed off each other, and have a cyclical, creative rhythm.

Yesterday, word got out of Apple’s new iFrame standard, which purports to expedite video editing by keeping the video in “the same format used on a computer.” Really, it’s nothing but a resolution and wrapper. So why am I losing my mind over it? Because the way iFrame is being positioned and propagated is misleading and harmful to consumers. Oh I know, what an alarmist, right? It’s just a video format! But with personal video becoming more and more ubiquitous and invading class after class of gadgets, these former trivialities are becoming more important by the day.

And for once, we are actually gravitating towards a couple unified standards in both encoding and resolution — and then Apple butts in with this ugly stepchild of a format.

The whole world was bullish on iTunes LPs when they were announced; I called it a black eye for the majors, whose CMX format has yet to be popularized. But the hype was curbed when it was discovered that there was a $10,000 fee associated with the service, putting it completely out of reach for less affluent artists and small labels who can’t afford that price for promotion.

Luckily for them, Apple was nice enough to make the format rather basic. It turns out anyone versed in a little HTML and Javascript can put together an LP that’s just as good as a “real” one. It’s not as simple as drag-and-drop, and without Apple’s proprietary TuneKit library, some functionality is difficult or impossible to replicate at this point. But iTunesLP.net is trying to collect all the information you need into a few tutorials and demo files.

It wasn’t long ago that we heard about the imminent demise of one of the net’s most infamous and venerable sites: Geocities. At the time, we could see the pendulum hanging from the rafters, but earlier this week it was set a-swinging and the site will die quietly and gallantly on October 26th. Of course, while the sites will no longer be accessible at Geocities itself, they will be preserved in our hearts — and on the Internet Archive, of course.

I removed IE from the desktop, taskbar, Start Menu, and even hid the icon in Windows Explorer. I then installed Firefox and Chrome and renamed them both “Internet.” But yet somehow my mother-in-law still found a way to use Internet Explorer and wonders why her computer runs like poo. Oh, and she wants to keep all of the toolbars. She uses them.

It was only two weeks ago that the Windows 7 Launch Party video cut a burning swath across the internet, leaving only scorched sensibilities and a feeling that you’d lost something fundamental never to be regained.

We lied to ourselves then that it couldn’t be more than a blip on the radar, a PR pitch gone awry and furtively uploaded, unfit for human consumption as it was — a tainted morsel of the promotional meat grinder. And to be honest, I was ready to let it lie.

But it wasn’t just a morsel. Little did we know, the Windows 7 launch sausage factory would be squeezing gristle into our inboxes regularly — and now they’ve gone and sent us party favors.

The other day, I went on a short tour of some of Microsoft’s Labs, where they do everything from rapid prototypes of new products to acoustic testing in anechoic chambers. Most of my time was spent in the Applied Sciences group’s labs, where they are working on some seriously interesting devices.

And they’re not just into mice; in fact, the lab’s specialty seemed to be anything to do with optics and/or input. This lab worked on Project Natal, and also on the pressure-sensitive keyboard I wrote about a while back.

They were kind enough to show me all these crazy multi-touch mice, and, when I was too inept to demo even one of them solo, offered to go through them with me on video.

PSP what? Nobody cares about that old thing. Honestly, do you want to carry around yet another heavy, fragile, state-of-the-art toy? No. What you need (what this country needs) is a cheap little handheld Genesis sporting 20 of the system’s greatest semi-hits. No need to worry about managed copies, DRM, firmware updates, or UMD transfer — just hit the power button and you’ll be playing Altered Beast or Sonic & Knuckles before you can say “Seeegaaaa!”

It’s Saturday. Relax and check out the video while you digest brunch.

The trickle of news about Microsoft’s Courier device continues, and this time there’s a bit more of a realistic walkthrough. The device is being shown to be much more of a next-generation notepad than all-purpose tablet, and that’s probably for the best; Microsoft overreaching with a device like this could result in a real crash and burn. I suppose the best way to picture the Courier is just as a web-connected organizer — you know, one of those leather-bound ones that business people used to have, and which the Courier seems clearly designed after.

Of course, with an internet connection and full-color touchscreen, much more is enabled and the device becomes much more complicated. Microsoft’s (and Pioneer’s) task has been to pare that down to a product, and it really looks like they’ve done it right. Still all renders, though.

As a parent I love a little one-on-one time with the son and daughter in front of a good book. What I don’t like are those crap-gasmic Disney books that float through every child’s book collection, titles like “The Jungle Book” that are basically advertisements for the movies. And what I really don’t like is this new initiative by Disney and their partner to suck the life out of even those abhorrent configurations of words.

That said, you can probably tell what I think of these online versions of over 500 Disney books available now at DisneyDigitalBooks. Kids can read over 500 Disney books, make their own books, and even “befriend Disney characters,” as creepy as that sounds.

Social media applications are increasingly abstracted from their web-app roots, be it in Adobe air or an iPhone app. Devices like the Chumby have made some inroads towards completely breaking something like Facebook away from your desktop, but they haven’t been popular enough or good enough to catch on.

I doubt that will change too much with the Lighthouse SQ7, but I’d be happy to be proved wrong. It’s just that incorporating voice recognition technology into your device seems like overreaching, as cool as it would be if it worked.

At any rate, it’s good to see companies still plugging away at what seems like a sort of awkward tweener device, but honestly, one I might like to have around. A combination alarm clock, social media doodad, and lightweight browser — fitting somewhere on the twisted continuum between tablet computer and digital picture frame.

In what was ostensibly a meeting of the majors last week to advise the FCC on broadband policy, the COO of Paramount was allowed to wax ignorant for 10 minutes on piracy and file-sharing technology. As a major content provider, they should certainly have some input, but this was sheer soap-boxery. Sure, peer to peer and torrent traffic (legal and otherwise) is going to be a major driver of broadband adoption and major consumer of the resource, but Paramount’s contribution to the discussion didn’t limit itself to germane observation and reasonable speculation.

On the upside, we have a fabulous new quote on the level of Ted Stevens’ “series of tubes” that demonstrates how utterly out of touch people like Paramount’s COO are with actual Internet terminology and capabilities. Behold:

“We are uploading it essentially to a ‘cyber locker,’ which is nothing more than electronic locker on the Internet.”

Mr. Huntsberry, we are in your debt for this immortal chestnut of cyber-wisdom. That’s nothing more than electronic wisdom on the Internet, for those of you who don’t know.

There really isn’t much debate to be had regarding sound quality: a poorly-encoded MP3 sounds the worst, and an audiophile system playing something on the medium for which it was mastered sounds the best. However, there is a whole continuum between those poles, and some people (audiophiles particularly) can’t resist using arbitrary numbers and unintelligible descriptors to differentiate those different levels of quality.

In this case, John Meyer of Newform Research (opting for arbitrary numbers) has computed the effective bitrates of all the major audio formats, from wax cylinder to MP3. You can see the results in the chart pictured. His methods are scientific in a way, but also questionable. The effective bitrate of a record can sort of be calculated, since it does indeed rely on a sampling rate and frequency range among other things, but that’s not really the end of the story.

But what did he see in the clear stream below? His own image; no longer a dark, gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan. —The Ugly Duckling

It’s been a long, brown trip for the Zune: from its early days (mocked and abject) to its awkward years (deemed a dead end and money pit) it’s been embattled and criticized, and rightly so. After all, here was an unpopular company with a frankly ridiculous brand it had pulled out of thin air, attempting to compete with the guys who defined the market. We’ve always been champions of the devices, despite their quirks, and of the service, despite its growing pains — and Microsoft occasionally made it pretty hard for us to stand by our favorite little misfit media player. Well, for once they just made it really easy.

Let’s not beat around the bush, now: this thing is going head-on with the iPod touch, one of the most versatile and well-liked devices on the planet. There are other PMPs, sure, but the caliber of these two devices is well beyond the best offerings from Creative, Samsung, or Sony. To make it easy on the Apple fans who are impatient to comment on this story, let me just state it right now for the record: the Zune HD is not an iPod-killer, but it is the only player out there that can go up against it and not be annihilated in the process. It’s good enough that everyone owes it to themselves to give it a look — unless you’re afraid of just how good it might be.