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	<title>Comments on: The Record Industry&#8217;s Digital Distribution Plan (TotalMusic) Comes Back From the Dead</title>
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	<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/</link>
	<description>Startup and Technology News</description>
	<pubDate>Mon, 06 Jul 2009 22:21:05 +0000</pubDate>
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		<title>By: The Record Industry&#8217;s TotalMusic Experiment Is Sinking Fast</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2620048</link>
		<dc:creator>The Record Industry&#8217;s TotalMusic Experiment Is Sinking Fast</dc:creator>
		<pubDate>Mon, 09 Feb 2009 11:22:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2620048</guid>
		<description>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</description>
		<content:encoded><![CDATA[<p>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</p>
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		<title>By: Confirmed: TotalMusic Is Dead &#124; Sydney Web Design</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2619621</link>
		<dc:creator>Confirmed: TotalMusic Is Dead &#124; Sydney Web Design</dc:creator>
		<pubDate>Mon, 09 Feb 2009 01:13:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2619621</guid>
		<description>[...] the record companies band together again once the economy settles down. After all, TotalMusic has come back from the dead [...]</description>
		<content:encoded><![CDATA[<p>[...] the record companies band together again once the economy settles down. After all, TotalMusic has come back from the dead [...]</p>
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	<item>
		<title>By: Confirmed: TotalMusic Is Dead</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2619245</link>
		<dc:creator>Confirmed: TotalMusic Is Dead</dc:creator>
		<pubDate>Sun, 08 Feb 2009 10:20:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2619245</guid>
		<description>[...] the record companies band together again once the economy settles down. After all, TotalMusic has come back from the dead [...]</description>
		<content:encoded><![CDATA[<p>[...] the record companies band together again once the economy settles down. After all, TotalMusic has come back from the dead [...]</p>
]]></content:encoded>
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	<item>
		<title>By: The TotalMusic Experiment Is Sinking Fast</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2619016</link>
		<dc:creator>The TotalMusic Experiment Is Sinking Fast</dc:creator>
		<pubDate>Sun, 08 Feb 2009 00:44:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2619016</guid>
		<description>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</description>
		<content:encoded><![CDATA[<p>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: The TotalMusic Experiment Is Sinking Fast &#124; All about MICROSOFT</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2618998</link>
		<dc:creator>The TotalMusic Experiment Is Sinking Fast &#124; All about MICROSOFT</dc:creator>
		<pubDate>Sun, 08 Feb 2009 00:20:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2618998</guid>
		<description>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</description>
		<content:encoded><![CDATA[<p>[...] last summer, the company came back from the dead. The second new model was meant to serve as a departure from the way music has [...]</p>
]]></content:encoded>
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	<item>
		<title>By: How Warner Music Killed Facebook Music &#124; OntoreBangladesh</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2595753</link>
		<dc:creator>How Warner Music Killed Facebook Music &#124; OntoreBangladesh</dc:creator>
		<pubDate>Fri, 16 Jan 2009 10:55:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2595753</guid>
		<description>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to participate.   [...]</description>
		<content:encoded><![CDATA[<p>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to participate.   [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: eMediaOne &#187; Blog Archive &#187; How Warner Music Killed Facebook Music</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2594616</link>
		<dc:creator>eMediaOne &#187; Blog Archive &#187; How Warner Music Killed Facebook Music</dc:creator>
		<pubDate>Thu, 15 Jan 2009 11:37:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2594616</guid>
		<description>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to [...]</description>
		<content:encoded><![CDATA[<p>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: How Warner Music Killed Facebook Music</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2594538</link>
		<dc:creator>How Warner Music Killed Facebook Music</dc:creator>
		<pubDate>Thu, 15 Jan 2009 09:24:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2594538</guid>
		<description>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to [...]</description>
		<content:encoded><![CDATA[<p>[...] bring free streaming music from three of the four big labels (Universal, Sony, EMI) through the Total Music joint venture. But the deal stalled when the lone holdout, Warner Music, refused to [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Topspin &#187; Oktoberfest</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2492537</link>
		<dc:creator>Topspin &#187; Oktoberfest</dc:creator>
		<pubDate>Mon, 06 Oct 2008 05:02:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2492537</guid>
		<description>[...] and now just needs the licenses (and Universal and others are apparently rolling their own with TotalMusic instead of licensing the iMeem APIs for 3rd parties &#8212; I don&#8217;t have any inside info [...]</description>
		<content:encoded><![CDATA[<p>[...] and now just needs the licenses (and Universal and others are apparently rolling their own with TotalMusic instead of licensing the iMeem APIs for 3rd parties &#8212; I don&#8217;t have any inside info [...]</p>
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	<item>
		<title>By: SG</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2477061</link>
		<dc:creator>SG</dc:creator>
		<pubDate>Mon, 22 Sep 2008 03:53:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2477061</guid>
		<description>The music business is having a hard time evolving that it is eminent. This news of Myspace Music getting the big labels to coinvest in it brings a new justification to them to change the old models.
Streaming with add supported model and premium (no-ad) model will coexist. Some will pay a flat (or tiered pricing to listen to music without any ads) and others won't mind some ads in the middle.
Interesting enough the music streaming startups get sued by the labels and the ones that have the guts to stand up and defend the business model end up convincing the labels to cut a deal with them. (So also end up getting investment dollars from them).
This the VC's don't get this and run away when they hear streaming music business. If they had good understanding of business they would understand that the good ones build the business and the flaky ones disappear.
This is great news for us bravehearts who are working on this direction of building genuine music evangelicalism by bringing in technological innovation to this space.
Great job Pandora, IMEEM, Last.fm, Myspace and the business 'yours truely' is building.

Thx
sganguly@yahoo.com</description>
		<content:encoded><![CDATA[<p>The music business is having a hard time evolving that it is eminent. This news of Myspace Music getting the big labels to coinvest in it brings a new justification to them to change the old models.<br />
Streaming with add supported model and premium (no-ad) model will coexist. Some will pay a flat (or tiered pricing to listen to music without any ads) and others won&#8217;t mind some ads in the middle.<br />
Interesting enough the music streaming startups get sued by the labels and the ones that have the guts to stand up and defend the business model end up convincing the labels to cut a deal with them. (So also end up getting investment dollars from them).<br />
This the VC&#8217;s don&#8217;t get this and run away when they hear streaming music business. If they had good understanding of business they would understand that the good ones build the business and the flaky ones disappear.<br />
This is great news for us bravehearts who are working on this direction of building genuine music evangelicalism by bringing in technological innovation to this space.<br />
Great job Pandora, IMEEM, Last.fm, Myspace and the business &#8216;yours truely&#8217; is building.</p>
<p>Thx<br />
<a href="mailto:sganguly@yahoo.com">sganguly@yahoo.com</a></p>
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		<title>By: Is MySpace Music An Antitrust Lawsuit Waiting To Happen? &#187; The Scripts Zone</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2476672</link>
		<dc:creator>Is MySpace Music An Antitrust Lawsuit Waiting To Happen? &#187; The Scripts Zone</dc:creator>
		<pubDate>Sun, 21 Sep 2008 11:26:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2476672</guid>
		<description>[...] pricing, collusion, and price discrimination. (The music industry&#8217;s own hush-hush TotalMusic project could run into the same [...]</description>
		<content:encoded><![CDATA[<p>[...] pricing, collusion, and price discrimination. (The music industry&#8217;s own hush-hush TotalMusic project could run into the same [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Royalty Free Music Blog &#124; Music Production Elements &#124; Micro Music Stock &#187; The Records labels are mad and trying to get back&#8230;Too little too late?</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2436421</link>
		<dc:creator>Royalty Free Music Blog &#124; Music Production Elements &#124; Micro Music Stock &#187; The Records labels are mad and trying to get back&#8230;Too little too late?</dc:creator>
		<pubDate>Wed, 13 Aug 2008 22:43:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2436421</guid>
		<description>[...] read about how the record labels are trying to bring to market an advertising based streaming music service .   It seems that the advertising based content model just won&#8217;t die.  What a total racket [...]</description>
		<content:encoded><![CDATA[<p>[...] read about how the record labels are trying to bring to market an advertising based streaming music service .   It seems that the advertising based content model just won&#8217;t die.  What a total racket [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gmagnate</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2433193</link>
		<dc:creator>Gmagnate</dc:creator>
		<pubDate>Sun, 10 Aug 2008 18:05:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2433193</guid>
		<description>Great post,
However,
The KEY thing ALWAYS missed in these discussions is around who owns the rights. Rights are limited by territory, term and use. 

With the RARE exception of a 360 deal like PSD, the rights to different aspects of the brand (recording, publishing, touring, merchandise, management etc.) are owned and or controlled by entirely different and competing entities many of whom HATE each other and can only see as far as their own interest in the brand. 

Managers, who some will argue have the MOST influence and control are often the LEAST web savvy and as a result there is little "brand" management from a central internal perspective. The Future of the Industry cannot be in a "Total Music" Reagan era Star Wars like defensive strategy that treats all music like a commodity in the hopes of upselling the fan to purchase other brand related assets from someone ELSE, but rather a direct to consumer offensive strategy that allows for these "competing" entities to cross-manage their brand assets while benefiting from the overall brand strategy put together by management and the Artist themselves. You know...the one that GIVES all of their rights away in the first place.

G</description>
		<content:encoded><![CDATA[<p>Great post,<br />
However,<br />
The KEY thing ALWAYS missed in these discussions is around who owns the rights. Rights are limited by territory, term and use. </p>
<p>With the RARE exception of a 360 deal like PSD, the rights to different aspects of the brand (recording, publishing, touring, merchandise, management etc.) are owned and or controlled by entirely different and competing entities many of whom HATE each other and can only see as far as their own interest in the brand. </p>
<p>Managers, who some will argue have the MOST influence and control are often the LEAST web savvy and as a result there is little &#8220;brand&#8221; management from a central internal perspective. The Future of the Industry cannot be in a &#8220;Total Music&#8221; Reagan era Star Wars like defensive strategy that treats all music like a commodity in the hopes of upselling the fan to purchase other brand related assets from someone ELSE, but rather a direct to consumer offensive strategy that allows for these &#8220;competing&#8221; entities to cross-manage their brand assets while benefiting from the overall brand strategy put together by management and the Artist themselves. You know&#8230;the one that GIVES all of their rights away in the first place.</p>
<p>G</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gmagnate</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2433192</link>
		<dc:creator>Gmagnate</dc:creator>
		<pubDate>Sun, 10 Aug 2008 18:02:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2433192</guid>
		<description>The KEY thing ALWAYS missed in these discussions is that rights are limited by territory, term and use. With the RARE exception of a 360 deal like PSD, the rights to different aspects of the brand (recording, publishing, touring, merchandise, management etc.) are owned and or controlled by entirely different and competing entities many of whom HATE each other and can only see as far as their own interest in the brand. 

Managers, who some will argue have the MOST influence and control are often the LEAST web savvy and as a result there is little "brand" management from a central internal perspective. The Future of the Industry cannot be in a "Total Music" Reagan era Star Wars like defensive strategy that treats all music like a commodity in the hopes of upselling the fan to purchase other brand related assets from someone ELSE, but rather a direct to consumer offensive strategy that allows for these "competing" entities to cross-manage their brand assets while benefiting from the overall brand strategy put together by management and the Artist themselves. You know...the one that GIVES all of their rights away in the first place.

G</description>
		<content:encoded><![CDATA[<p>The KEY thing ALWAYS missed in these discussions is that rights are limited by territory, term and use. With the RARE exception of a 360 deal like PSD, the rights to different aspects of the brand (recording, publishing, touring, merchandise, management etc.) are owned and or controlled by entirely different and competing entities many of whom HATE each other and can only see as far as their own interest in the brand. </p>
<p>Managers, who some will argue have the MOST influence and control are often the LEAST web savvy and as a result there is little &#8220;brand&#8221; management from a central internal perspective. The Future of the Industry cannot be in a &#8220;Total Music&#8221; Reagan era Star Wars like defensive strategy that treats all music like a commodity in the hopes of upselling the fan to purchase other brand related assets from someone ELSE, but rather a direct to consumer offensive strategy that allows for these &#8220;competing&#8221; entities to cross-manage their brand assets while benefiting from the overall brand strategy put together by management and the Artist themselves. You know&#8230;the one that GIVES all of their rights away in the first place.</p>
<p>G</p>
]]></content:encoded>
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		<title>By: sirkitree</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432287</link>
		<dc:creator>sirkitree</dc:creator>
		<pubDate>Fri, 08 Aug 2008 22:57:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432287</guid>
		<description>I guess you guys haven't seen that THEY ARE streaming their tracks for free. Over 100,000 track streaming for free on myplay.com. Check this out!
http://myplay.com/audio_player/myplay/91/270341/283761?allowBrowsing=1</description>
		<content:encoded><![CDATA[<p>I guess you guys haven&#8217;t seen that THEY ARE streaming their tracks for free. Over 100,000 track streaming for free on myplay.com. Check this out!<br />
<a href="http://myplay.com/audio_player/myplay/91/270341/283761?allowBrowsing=1" rel="nofollow">http://myplay.com/audio_player.....Browsing=1</a></p>
]]></content:encoded>
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	<item>
		<title>By: ONLINE SERVICES/INTERACTIVE MEDIA &#171; Daily Marauder</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432280</link>
		<dc:creator>ONLINE SERVICES/INTERACTIVE MEDIA &#171; Daily Marauder</dc:creator>
		<pubDate>Fri, 08 Aug 2008 22:45:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432280</guid>
		<description>[...] by Roxio, and formed the basis for the current version of Napster). Both were utter failures. (http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes... [...]</description>
		<content:encoded><![CDATA[<p>[...] by Roxio, and formed the basis for the current version of Napster). Both were utter failures. (http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes&#8230; [...]</p>
]]></content:encoded>
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	<item>
		<title>By: TotalMusic: o zombie da indústria discográfica ataca outra vez &#124; Remixtures</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432238</link>
		<dc:creator>TotalMusic: o zombie da indústria discográfica ataca outra vez &#124; Remixtures</dc:creator>
		<pubDate>Fri, 08 Aug 2008 21:44:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432238</guid>
		<description>[...] como &#8220;marca branca&#8221; a outros sites, de acordo com o que fontes próximas afirmaram ao TechCrunch e ao Aliado Digital. O serviço deverá incluir links directos para comprar o download digital da [...]</description>
		<content:encoded><![CDATA[<p>[...] como &#8220;marca branca&#8221; a outros sites, de acordo com o que fontes próximas afirmaram ao TechCrunch e ao Aliado Digital. O serviço deverá incluir links directos para comprar o download digital da [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Marco Almondine</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432225</link>
		<dc:creator>Marco Almondine</dc:creator>
		<pubDate>Fri, 08 Aug 2008 21:26:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432225</guid>
		<description>Where is the flat rate, all you can listen from any device you can authenticate, infinite library business model.  Pandora where you can control every song if you want to, or let it play music to your taste on autopilot.  Free with ads and a reasonable fee for no ads.

I'd pay at least $10/month for that, maybe $30, which is a hell of a lot more than I've spent on music since 1999.

Meanwhile it doesn't matter what else the labels build.  Any attempt to regain dictatorial control over distribution and pricing is a waste of time.  Every album of any popularity is available on BitTorrent and can be downloaded in under ten minutes.  What we need is a service that's worth paying for because it's actually a better experience than file sharing.</description>
		<content:encoded><![CDATA[<p>Where is the flat rate, all you can listen from any device you can authenticate, infinite library business model.  Pandora where you can control every song if you want to, or let it play music to your taste on autopilot.  Free with ads and a reasonable fee for no ads.</p>
<p>I&#8217;d pay at least $10/month for that, maybe $30, which is a hell of a lot more than I&#8217;ve spent on music since 1999.</p>
<p>Meanwhile it doesn&#8217;t matter what else the labels build.  Any attempt to regain dictatorial control over distribution and pricing is a waste of time.  Every album of any popularity is available on BitTorrent and can be downloaded in under ten minutes.  What we need is a service that&#8217;s worth paying for because it&#8217;s actually a better experience than file sharing.</p>
]]></content:encoded>
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	<item>
		<title>By: Jonathan Coffman</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432155</link>
		<dc:creator>Jonathan Coffman</dc:creator>
		<pubDate>Fri, 08 Aug 2008 19:49:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432155</guid>
		<description>I think ad supported anything is a bad idea at this point. Where's the next model? 

I bought Tivo for a reason, no ads. I paid for a Pandora subscription for a reason, no ads.

And yes, I still subscribe to the idea that I want to own music, not rent it. Streaming doesn't appeal to me.</description>
		<content:encoded><![CDATA[<p>I think ad supported anything is a bad idea at this point. Where&#8217;s the next model? </p>
<p>I bought Tivo for a reason, no ads. I paid for a Pandora subscription for a reason, no ads.</p>
<p>And yes, I still subscribe to the idea that I want to own music, not rent it. Streaming doesn&#8217;t appeal to me.</p>
]]></content:encoded>
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		<title>By: Gary Gnu</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432061</link>
		<dc:creator>Gary Gnu</dc:creator>
		<pubDate>Fri, 08 Aug 2008 17:13:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432061</guid>
		<description>in order for a music service to work, the indie labels would have to be on board.


they are wary of the majors and are loathe to jump on board with any major led iniatitive.

that said, Total music will fail if the indies don't come on.</description>
		<content:encoded><![CDATA[<p>in order for a music service to work, the indie labels would have to be on board.</p>
<p>they are wary of the majors and are loathe to jump on board with any major led iniatitive.</p>
<p>that said, Total music will fail if the indies don&#8217;t come on.</p>
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		<title>By: Glenn</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2432042</link>
		<dc:creator>Glenn</dc:creator>
		<pubDate>Fri, 08 Aug 2008 16:51:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2432042</guid>
		<description>Great post Erick. I put up a post about your story and added a few things about TotalMusic's link to Ruckus. The mailing address on the TotalMusic job posting is the Ruckus mailing address, and the posting's company contact is the HR Director for Ruckus.</description>
		<content:encoded><![CDATA[<p>Great post Erick. I put up a post about your story and added a few things about TotalMusic&#8217;s link to Ruckus. The mailing address on the TotalMusic job posting is the Ruckus mailing address, and the posting&#8217;s company contact is the HR Director for Ruckus.</p>
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		<title>By: tom</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2431990</link>
		<dc:creator>tom</dc:creator>
		<pubDate>Fri, 08 Aug 2008 16:14:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2431990</guid>
		<description>Writer: what a miserably fact-checked story you just published.  Imeem's comScore uniques are 1/4 what you reported -- in the 6-7 million range.  You use the source comScore irresponsibly and give all bloggers a bad name.  

To see a real report from someone who has access to accurate comScore, click on the link.  http://www.flickr.com/photos/29342870@N05/2743732437/

FACT CHECK.</description>
		<content:encoded><![CDATA[<p>Writer: what a miserably fact-checked story you just published.  Imeem&#8217;s comScore uniques are 1/4 what you reported &#8212; in the 6-7 million range.  You use the source comScore irresponsibly and give all bloggers a bad name.  </p>
<p>To see a real report from someone who has access to accurate comScore, click on the link.  <a href="http://www.flickr.com/photos/29342870@N05/2743732437/" rel="nofollow">http://www.flickr.com/photos/2.....743732437/</a></p>
<p>FACT CHECK.</p>
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		<title>By: Rob</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2431904</link>
		<dc:creator>Rob</dc:creator>
		<pubDate>Fri, 08 Aug 2008 13:56:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2431904</guid>
		<description>http://www.totalmusic.net/ ?    Google?</description>
		<content:encoded><![CDATA[<p><a href="http://www.totalmusic.net/" rel="nofollow">http://www.totalmusic.net/</a> ?    Google?</p>
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		<title>By: Jake</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2431898</link>
		<dc:creator>Jake</dc:creator>
		<pubDate>Fri, 08 Aug 2008 13:42:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2431898</guid>
		<description>On the imeem funding front- unless Morgenthaler and Sequoia's repeated investments have only made up $750k, i think your numbers might be very very off...</description>
		<content:encoded><![CDATA[<p>On the imeem funding front- unless Morgenthaler and Sequoia&#8217;s repeated investments have only made up $750k, i think your numbers might be very very off&#8230;</p>
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		<title>By: jean philippe Gousse</title>
		<link>http://www.techcrunch.com/2008/08/07/the-record-industrys-digital-distribution-plan-totalmusic-comes-back-from-the-dead/comment-page-1/#comment-2431890</link>
		<dc:creator>jean philippe Gousse</dc:creator>
		<pubDate>Fri, 08 Aug 2008 13:24:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.techcrunch.com/?p=20863#comment-2431890</guid>
		<description>why don't they buy apple.com to run Itunes store.</description>
		<content:encoded><![CDATA[<p>why don&#8217;t they buy apple.com to run Itunes store.</p>
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